Eight French actors and I have just finished the seventh weekend of nine in Paris on Buechner's play Woyzeck; we are using it as a way of learning and practising how to apply Michael Chekhov's technique to a play and a character. 

In August Sarah managed to do something she had spent her whole life wanting to do: see a performance at Epidauros, the ancient Greek theatre believed to be the first public one that ever existed, or at least almost the first public one. 

Performing Arts International offers workshops in London, Sussex and in various parts of Europe (Paris, Athens, Berlin, and Madrid, for example,) for trained professional actors or actors in professional training on various aspects of the Russian actor Michael Chekhov’s approach to theatre and acting.